U2: A Known Line on the Horizon

My last posting and recent Tweets about U2 might have led you to believe that I’m down on these guys. Nothing of the sort.

Although “No Line on the Horizon” may not be their best work, it’s still a very good CD.

As they did back in 2004 with “Vertigo,” the band released as its first single a rather unrepresentative track (in this case, “Get on Your Boots”) which, I suppose, is part of a concerted effort by U2 to continually redefine itself and not be limited by those chime-y, majestic anthems that first made them famous. But I can’t imagine such a choice helped album sales out of the gate; I read somewhere that opening week sales were off compared to “How to Dismantle an Atomic Bomb.”

No matter—fans seem to have sidestepped “Boots” and instead quickly focused on “Magnificent” (a chime-y, majestic anthem), which probably would have made for a stronger lead-off single. Other standout tracks include “Breathe,” with its more familiar U2 chorus; “Moment of Surrender,” an R&B-tinged bass hook that would have sounded at home on “HTDAB”; and the haunting “Cedars of Lebanon.”

Even the few tracks that do not quite rise up to U2’s best work still feature passages—a pre-chorus here, a line or two of lyrics there—that are simply brilliant. I suspect that “No Line” will continue to reward with repeated listenings.

Some reviews have taken the band to task for repeating itself—as if they, or any other great band for that matter, could ultimately slip its own skin and be something other than the sum total of its very heart and soul.

What’s more, would fans even want that? If they regard songs like “Boots” or “Vertigo” as novel digressions and continue instead to revel in Bono’s earnest lyrical proclamations set to Edge’s echo-laden guitar hooks, why not ride that well-known line into the horizon?